Shepard hadn't yet been approached. A scene that finds Basinger and Rourke committing a stickup in an elevator Basinger is urged on by Rourke was removed -- because test audiences found it unsavory. Both are in the completed version. The studios were interested in Lyne -- then flushed with "Flashdance" fame. If you have an audience turn off to your central character in the end, then you lose your whole movie. But Isaacs couldn't get a studio to agree to Rafelson. They don't want to face themselves.
But he was also defensive about reports that the movie had tested poorly. Enter Basinger and Rourke. Thus, a kinky love scene in an alley will play longer for Europeans. Lyne also brought coscreenwriter Sarah Kernochan aboard. As a result, one star would ride the elevator while the other waited for its return. I saw this as a distinctly American story. As is sometimes the case with such provocative content, European audiences will see more than we do. That is, Isaacs and Rafelson wanted them. Shepard hadn't yet been approached. People's public posture can be very different from what they do in private. Asked if anything particular had happened to sour the working relationship, Isaacs says, "There was nothing that brought it about, really. With Lyne in, the film got the green light at Tri-Star. King has since executive-produced "Roadie" and "Endangered Species. Most have a disturbing quality brought about by the idea that one person can force another to "fall in love". A scene that finds Basinger and Rourke committing a stickup in an elevator Basinger is urged on by Rourke was removed -- because test audiences found it unsavory. They don't want to face themselves. A visitor to Century City offices of PSO in the summer of was assured that the movie would see the light of the projection booth. If you have an audience turn off to your central character in the end, then you lose your whole movie. By this time, Jacqueline Bisset and Sam Shepard were the hoped-for stars. And you are dead and buried. This isn't the easiest movie to make or to cut". They didn't know if Adrian could pull it off. He conceded that the film had undergone a considerable change. You can't see the act of procreation on the screen -- but you can see the termination of life. And with this film, well, for God's sake it is a bizarre story. Shooting had wrapped by August
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