But the difference between a good film and real life is that in real life there's the next day, the next year, the next lifetime to contemplate the ruinous consequences of easy applause. Rather than just an overenthusiastic gift wrapper with a good Samaritan streak at the airport, Atkinson's Rufus was initially written as a heavenly helper in disguise. In the commentary track, Curtis admits that some drafts of the Love Actually script still had Charles's name on portions of the scene. Grant wanted it to be a grounded performance and resented Curtis's push to make the part more whimsical. Here's a cheat sheet. However, when Love Actually was screened to test audiences, the feedback begged for a clearer resolution. She's uncredited in the film because she never has a scene to perform. When Sarah Laura Linney takes her office crush Karl Rodrigo Santoro back to her flat, a crane shot reveals that her bedroom is perched above the first floor, with a half-wall serving as a sort of balcony. Both actresses were impressed by the unconventional move, but Linney told The Daily Beast she was even more flattered by its contents.
They were reunited in when Olson joined the voice cast of the Disney Channel cartoon show Phineas and Ferb. But Love Actually wasn't the end of the pair's onscreen romance. Two were clipped in the scripting phase, but two were shot and cut in post. It was in this stage of his career that he was eyed for the role of Rufus, the jewelry salesman in Love Actually. Before he broke out with 's Shaun of the Dead, Pegg was best known for his work on the British sitcom Spaced. In the film's DVD commentary, writer-director Richard Curtis explains that when something special was caught on camera, a crew member would race out to have its subjects sign a waiver so the moment might be included in Love Actually. So Curtis provided it, creating an extra scene in reshoots that made it unmistakable that Sarah and Karl would not end up together. Nighy told The Guardian , "We didn't all film together, but we had a big trailer park for all the cast. However, Curtis ended up casting Rowan Atkinson, who was not only a bigger star but a longtime friend from their college days; the two had previously worked together on Four Weddings and A Funeral, Mr. December 6, universal pictures Though it's officially classified as a romantic comedy, Love Actually—Richard Curtis's intertwining tale of love and loss in London in the midst of the Christmas season—has become a staple of holiday movie marathons everywhere. In the commentary track, Curtis admits that some drafts of the Love Actually script still had Charles's name on portions of the scene. Next, Poland took a turn with Letters to St. Those lost before production involved a girl with a wheelchair, and one about a boy who records a love song for a classmate who ultimately hooks up with his drummer. In Love Actually, he's the son of Thompson's character who is described as "horrid. Rather than just an overenthusiastic gift wrapper with a good Samaritan streak at the airport, Atkinson's Rufus was initially written as a heavenly helper in disguise. But with pipes that blew away the casting director, Olson won the part with aplomb. In , when facing criticism for his dealings with the United States, Blair responded by saying, "I know there's a bit of us that would like me to do a Hugh Grant in Love Actually and tell America where to get off. The scene was cut from the film, but was reshot nearly a decade later with Kris Marshall acting out the flirtatious faux pas. Bean, and Black Adder. Shot but cut for time was a brief aside featuring an African couple supporting each other during a famine, and another storyline that followed home a school headmistress , revealing her long-time commitment to her lesbian partner. Every film Curtis writes contains a "Bernard," and he's always the butt of a joke. I mean we were allowed to sort of venture … It was nice that we got to sort of play around. On the film's year anniversary, Nighy recalled to The Daily Beast , "I did a rehearsal reading of the script as a favor to the great casting director, Mary Selway, who had been trying to get me into a film for a long time. In Four Weddings and a Funeral , also penned by Curtis, Grant's character Charles flirts with a woman at a wedding by mocking the terrible catering, only to discover she is the caterer. The central concept of a movie packed with stars and intertwining love stories has been translated into a trio of films. But the difference between a good film and real life is that in real life there's the next day, the next year, the next lifetime to contemplate the ruinous consequences of easy applause. Curtis explained in the DVD commentary that the name was changed to "Natalie" before McCutcheon's audition, "so she wouldn't get cocky.
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