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  • Sex the annabel chong story 1999

    02.05.2018

    She seems in complete control of her career and her image, and, as her world record is revealed straight away, there is no conventionally contrived documentary 'success'. Many of its denizens, with amusingly childishly suggestive names, find Annabel's antics distasteful and degrading, confirming the image of sleaze the constant display of computers are trying to conceal. Unfortunately things become more sinister as the pressure begins to tell on Annabel. The marketing men are either aging, pony-tailed relics who are easy to laugh at, or the younger, can't-quite-believe-their-luck jocks who can't stop giggling. Frequently, Annabel doesn't seem to be in control, and yet the filmmakers watch her slashing her wrists so they can offer a neat thesis on different penetrations of the body. Not only do we assume that she is tacitly forced into the event by leeches who can see a sucker from a mile off, but she isn't paid, she is quickly abandoned for an even more photogenic cash-cow, and most horrific of all, we discover that the health and safety standards for the event were criminally lax. In one scene they revisit the site of a rape; in another they gang up with us and an informed teacher on an unknowing Annabel.

    Sex the annabel chong story 1999


    Produced and directed by men, the film is formally weighted against Annabel. Annabel Chong is Grace Quek, a Singapore-raised English anthropology student at the University of South California, who became a porn actress after an unenlightened feminist tutorial, as an expression of sexual freedom. Music for instance the repetition of 'Amazing Grace' is used to ironise Annabel, and there are a number of occasions when the film's ethics are seriously in question, and not just the obvious contrivances of many scenes. The marketing men are either aging, pony-tailed relics who are easy to laugh at, or the younger, can't-quite-believe-their-luck jocks who can't stop giggling. The film is careful to record the different groups of men who use and belittle Annabel TV shows, the porn industry, her old teachers, Cambridge students etc. She is quite clearly not in control, and the film constantly undermines her claims to independence, as she dances for a bunch of slavering perverts. The more images and 'reality' contradict Annabel, the less we listen to her voice, the more we listen to others, squeezing her out. These latter don't care what incomprehensible post-structuralist jargon comes out of her mouth, as long as she delivers the goods. In one scene they revisit the site of a rape; in another they gang up with us and an informed teacher on an unknowing Annabel. In one, she hasn't yet told her mother, and the film uses this very private and damaging dilemma to generate suspense. The frequent shots from outside looking in invoke a voyeuristic model, and maybe the documentary is intensely self-aware, but the increasingly moralistic drive is only at the expense of Annabel Chong. In fact, this feminist liberation goes beyond their wildest dreams - a woman who is actually looking to them for it. This we might have expected, but more repulsive revelations begin to leak out. Not only do we assume that she is tacitly forced into the event by leeches who can see a sucker from a mile off, but she isn't paid, she is quickly abandoned for an even more photogenic cash-cow, and most horrific of all, we discover that the health and safety standards for the event were criminally lax. Frequently, Annabel doesn't seem to be in control, and yet the filmmakers watch her slashing her wrists so they can offer a neat thesis on different penetrations of the body. The film becomes seriously depressing , and while it is quite right to give an audience lured by the sensationalist title a shock, a play with gender identity, a critique of filmmaking itself, the filmmakers seem to have crossed a line, where they have become as exploitative as the porn producers. Many of its denizens, with amusingly childishly suggestive names, find Annabel's antics distasteful and degrading, confirming the image of sleaze the constant display of computers are trying to conceal. Grace herself is a very likeable, seemingly together young woman, with the teeth of Goldie and the accent of Jane Seymour, who decides to become a 'stud' to critique masculinity. Was this review helpful to you? The film is sharply funny as it explores the strangely haphazard and hugely lucrative pornography industry. This becomes a deeply and properly misanthropic film in which, I think, the filmmakers, if I may say so under IMDb guidelines, collude. Unfortunately things become more sinister as the pressure begins to tell on Annabel. She seems in complete control of her career and her image, and, as her world record is revealed straight away, there is no conventionally contrived documentary 'success'.

    Sex the annabel chong story 1999

    Video about sex the annabel chong story 1999:

    Sordid Stories with Annabel Chong & Ron Jeremy part 1 of 5 - 1995 superhero spoof





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    5 Comments on “Sex the annabel chong story 1999”

    • Kagarisar

      The frequent shots from outside looking in invoke a voyeuristic model, and maybe the documentary is intensely self-aware, but the increasingly moralistic drive is only at the expense of Annabel Chong.

    • JoJokus

      Not only do we assume that she is tacitly forced into the event by leeches who can see a sucker from a mile off, but she isn't paid, she is quickly abandoned for an even more photogenic cash-cow, and most horrific of all, we discover that the health and safety standards for the event were criminally lax.

    • Karamar

      These latter don't care what incomprehensible post-structuralist jargon comes out of her mouth, as long as she delivers the goods. The film is sharply funny as it explores the strangely haphazard and hugely lucrative pornography industry.

    • Gum

      Unfortunately things become more sinister as the pressure begins to tell on Annabel. The film is sharply funny as it explores the strangely haphazard and hugely lucrative pornography industry.

    • Nikosida

      Not only do we assume that she is tacitly forced into the event by leeches who can see a sucker from a mile off, but she isn't paid, she is quickly abandoned for an even more photogenic cash-cow, and most horrific of all, we discover that the health and safety standards for the event were criminally lax. The film is careful to record the different groups of men who use and belittle Annabel TV shows, the porn industry, her old teachers, Cambridge students etc.

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